The Bewitched, danse satirique sur un argument de Partch, pour voix, choeur, danseurs et grand ensemble d'instruments originaux et traditionnels : Prologue - The lost musicians mixed magic ; Scène 1 : Three undergrads become transfigured in a Hong-Kong music-hall ; Scène 2 : Exercises in harmony and counterpoint are tried in a court of ancient ritual ; Scène 3 : The romancing of a pathological liar comes to an inspired end ; Scène 4 : A soul tormented by contemporary music finds a humanizing alchemy ; Scène 5 : Visions fill the eyes of a defeated basketball team in the shower romm ; Scène 6 : Euphoria descend a Sausalito stairway ; Scène 7 : Two detectives on the tail of a tricky culprit turn in their badges ; Scène 8 : A court in ts own contempt rises to a motherly apotheosis ; Scène 9 : A lost political soul finds himself among the voteless women of Paradise ; Scène 10 : The cognoscenti are plunged into a demonic descent while at cocktails ; Épilogue, Carol Zuckerberg, koto, Thomas Gauger, boo, marimba de bambou, Danlee Mitchell, diamond marimba, William Olson, marimba eroica, voix, leader du choeur, Warren Smith, marimba basse, Herbert Bielawa, chromelodeon, Sanford Berry, khitara I, Jan Bach, khitara II, James McKenzie, surrogate khitara, gong, Michael Donzella, spoils of war, George Andrix, cloud-chamber bowls, Charles DeLaney, piccolo, Warren Birkett, clarinette, Joseph Firantello, clarinette basse, Peter Farrell, violoncelle, Freda Schell (la Sorcière), Georgi Mayer, harmonic canon (Castor), Barbara Grammar, harmonic canon (Pollux), Chorus of the Lost Musicians, University of Sanford Musical Ensemble, John Garvey (1958)