Quand David Hurwitz se lache!!:
http://www.classicstoday.com/feature...010Preview.asp
Quand David Hurwitz se lache!!:
http://www.classicstoday.com/feature...010Preview.asp
Pour une fois, je trouve ça vraiment bon... Quoique très gratuit.
Excellent!
J'ai adoré celle-là:The period instrument movement is in crisis. Just about everything has been tried: one person to a part, no vibrato, period and modern instruments in various combinations--you name it. Fortunately modern scholarship has come to the rescue with a new theory guaranteed to ensure that “authenticity” remains synonymous with “anything that sounds different, no matter how stupid.” The latest discovery: NO DYNAMICS. It turns out, according to Applied Musicologist Clive Brown at the University of Leeds, that all those pianissimi, fortissimi, and hairpin crescendo signs do not really mean to play louder or softer, any more than words like “cantabile,” “dolce,” “espressivo,” or “appassionato” mean that orchestral string players should vary their vibrato. “Dynamics were considered an ornament, to be applied sparingly only to solo playing—never to orchestral music,” Brown insists. Authenticity minded conductors such as Roger Norrington and Andrew Parrott are rushing to adjust their interpretations accordingly, but Minkowski and Les Musiciens du Louvre set the pace with this very authentic recording, taken from live performances.
Oh vous savez, moi, ce que j'en dis, hein...
Mais ils vont jouer comme Saint-Petersbourg, rien de neuf...
Les parutions Beecham, Argerich, Haitink et Adams sont bien caricaturées... on y croirait presque et c'est ça qui est inquiétant ou amusant
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