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Discussion: Nouvelles Vieilles cires chez Brilliant Classics

  1. #1
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    Date d'inscription
    octobre 2007
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    Nouvelles Vieilles cires chez Brilliant Classics

    Misha Elman & Zara Nelsova, Violin & Cello Concertos



    Cat.No.:93651EAN Code:5028421936512Format:2 CDLabel:Brilliant Classics

    Composer: Bruch, Wienawski, Lalo & Saint-SaensGenre:Classical

    Performed by:
    Mischa Elman (violin) and Zara Nelsova (cello)

    Additional information:
    This month’s other Retrospective release also derives from superb-sounding Decca tapes of the early 1950s.

    The musical sense and sensitivity of Sir Adrian Boult made him a renowned accompanist, one who could accommodate the caprice and fantasy of soloists while maintaining a strong, forthright orchestral texture. Here he partners two brilliant but often-overlooked musicians in virtuosic Romantic concertos.

    Mischa Elman was a pupil of the great pedagogue Leopold Auer, prized for his rich, sensuous and infinitely expressive tone; in his day he was a superstar of the violin, selling over two million records.

    Zara Nelsova latterly became better-known as a teacher (she died in 2002), but her personality and command as an interpreter were considerable; she was especially renowned as a sympathetic performer of new music, working closely with composers such as Bloch, Barber and Hugh Wood.

    * Unique coupling of these popular Romantic works
    * Newly remastered for this issue
    * Superb Decca recordings

  2. #2
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    octobre 2007
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    Bon , c'est pas si vieux que ça, et au prix Brilliant, c'est toujours bienvenu :




    Other information

    - Recording in 1988

    - Booklet notes

    - 'Mintz plays the piece with fine panache: his treatment of the gorgeous, lilting secondary theme of the first movement is tenderly seductive, while the Scherzo dances with a delicious feathery weightlessness, its lyrical strain enticingly Carmenesque. The habanera rhythms of the Intermezzo are certainly touched with G string voluptuousness but, again, there is an element of restraint, which shows the true artist not overplaying his hand' Gramophone March 1992





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