Quelques disques parus cet automne

Vladimir Stoupel
Rathaus & Shostakovich, Piano Sonatas
Cavi AVI 8553481
“Although Karol Rathaus (1895-1954) and Dmitri Shostakovich (1906-1975) were contemporaries, they could hardly have led more different lives. Both biographies nevertheless exemplify the 20th century with its catastrophes, persecutions and destruction, and it is thus worthwhile to feature their music together in the same program.

Born into a Polish Jewish family in Ternopil (then part of Austria-Hungary), Karol Rathaus started composing at a very early age. He was accepted into the Vienna Academy for the Performing Arts and Music in 1913, but his studies were suddenly interrupted by the onset of World War I: for the next four years, he would have to serve in the Austrian army. As one of Franz Schreker’s favorite students, he followed Schreker to the Hochschule für Musik in Berlin, where he passed the entrance exam with flying colors with his First Sonata for Piano in C Minor, op. 2 (1920). The Vienna publishing house Universal-Edition published the sonata and signed a ten-year contract with the young composer. This marked the beginning of the quasi-meteoric rise of Karol Rathaus, whom prominent German critics were starting to hail as “New Music’s greatest hope” (Walter Schrenk).………
In December 1926, 20-year-old Dmitri Shostakovich presented his 1st Piano Sonata, op. 12, to the public in Leningrad. Certain parallels with Rathaus’s 3rd Sonata are striking: driving momentum, rapid changes of mood, a complex and technically challenging piano texture, free tonality, and a bustling metropolitan mood. In Shostakovich’s sonata we additionally encounter a series of clusters along with a grotesque aspect….” (Excerpt from the liner notes by Vladimir Stoupel)

Karol Rathaus

Piano Sonata No. 1 in C Minor, Op. 2
1. I. Grave e maestoso 11:09
2. II. Lento con espressione 09:35
3. III. Scherzo. Presto 5:20
4. IV. Finale. Grave – Allegro energico 5:54

Piano Sonata No. 3, Op. 20 (premiere recording)
1. I. Langsam 7:10
2. II. Scherzo. Presto 4:46
3. III. Fuge. Andante con Moto 7:24
4. IV. Presto 5:03

Dmitri Shostakowistch

Piano Sonata No. 1, Op. 12
9.Allegro 13:25

Piano Sonata in B Minor No. 2, Op. 61
10.I. Allegretto 7:05
11.II. Largo 9:37
12.III. Moderato 17.37

The Happiest Years
Genuin GEN20711
Eduard Erdmann: Sonate für Violine solo, op. 12,
Artur Schnabel: Sonate für Violine solo
Judith Ingolfsson, Violine;
Aufnahme 2019, Veröffentlichung 06/2020 (65'05) – Rezension von Uwe Krusch

Artur Schnabel was an extraordinary figure as a pianist and is still known today.
His far less cherished compositional work can now be heard in the Sonata for solo violin.
The work is, like his entire oeuvre, characterized by a radical personality.
Schnabel directed his interest towards differentiation in tempo and dynamics.
His sonata can be seen as a continuously changing stream without repetitions.
He was also an older friend and mentor of the other composer of this recording,

Eduard Erdmann.was also praised for his pianistic abilities.
Stylistically, Erdmann could not make friends with the musical innovators of his time.
He developed his personal expression in the solo sonata for violin.
Unconditional linearity and single-mindedness in harmony create a peculiar polyphonic world.
Only a handful of violinists have these works in their repertoire, and the recording of the Schnabel Sonata by Christian Tetzlaff was also made a quarter of a century ago. The Erdmann Sonata is a world premiere recording
Judith Ingolfsson plays with a crystal clear, transparent sound, which nevertheless makes the music sound alive. With 45 minutes, the Schnabel Sonata is certainly the most challenging of these two works in terms of concentration and creative requirements.
Ingolfsson’s performance is effortless, straightforward and also explores the subtleties along the way.
A discovery well worth listening!

Artur Schnabel Sonata for Violin Solo 37:33
1.I. Langsam, sehr frei undleidenschaftlich 9:24
2.II. In kräftig-fröhlichemWanderschritt, durchweg sehr lebendig 3:10
3.III. Zart und anmutig, durchausruhig 2:22
4.IV. Äußerst rasch 6:39
5.V. Sehr langsame Halbe, mitfeierlichem ernstem Ausdruck, doch stets schlicht 15:58

Eduard Erdmann: Sonata for Violin Solo, Op. 12 18:28
6.I. Ruhig - Fließend - Ruhig 7:48
7.II. Allegretto scherzando - Trio.Einfach, wie eine Volksweise 4:17
8.III. Langsam 2:39
9.IV. Lebendig 3:44